Aphrodisias 1972: a memoir
Archaeologists rarely write about the conditions
of field research. What were the living conditions like? The rooms, the beds,
the bathrooms, the food? What was the work schedule? Was the atmosphere
congenial? Did the participants get along with each other? What about the
locals, who in the Near East so often are hired for the hard labor, on the one
hand, and for running the excavation house, on the other? Were they treated
with respect? Were they interested in the research?
Archaeologists conduct field work as part of
their research projects. After data is collected, the results must be
documented, analyzed, and published. This is the scientific aim of archaeology.
Without publication, excavations are simply destruction. It goes without
saying, therefore, that the attention and efforts of archaeologists are focused
on fulfilling these scientific goals. The chronicling of how a project is
organized to further these aims has, for the most part, never been considered
an essential part of the published record.
How do we
archaeologists, not to mention the public at large, know about how field
projects are organized? Personal experience is hugely important: by serving on
the staff of an excavation. After that, word of mouth: what fellow students and
colleagues tell you about their experiences at other projects. Beyond this
network, though, it’s almost impossible to learn what it was like to work on a
particular project. Notable exceptions have included Come, Tell Me How You Live, which Agatha Christie wrote about her
experiences on excavations in Syria in the 1930s. But not every archaeologist
has, like Max Mallowan, a spouse who is a famous, prolific writer. And Christie
was not herself an archaeologist, although she certainly helped out during her
husband’s excavations.
I myself have taken
part in 27 field seasons, mostly excavations, several study seasons, and one
surface survey. There is much to remember; there would be much to record. One
season that particularly sticks in my mind, perhaps because it took place at
the beginning of my career, but certainly because of its strangeness, was a
month spent at Aphrodisias in the summer of 1972.
(Aphrodisias: Introduction. www.nyu.edu)
Aphrodisias, located
100 km inland from the Aegean coast in southwestern Asia Minor, today Turkey,
was inhabited from prehistoric times, but achieved particular prominence during
the Roman Empire, from the first century BC into the seventh century AD. After random explorations in the earlier 20th
century, excavations on a large scale began in 1961, under the direction of
Kenan Erim, a professor of classical archaeology at New York University.
The place is supremely beautiful. In 1972, when I worked there, the ruins were
a Romantic’s ideal: Roman architectural fragments scattered among trees and
bushes, with mountains in the distance.
(South Agora. The Friends of Aphrodisias Trust. www.aphrodisias.org.uk)
The small village of Geyre still
occupied a good portion of the ancient site. Little by little, the villagers
were displaced to a new location off the ancient site; their houses were
demolished, to allow excavation to proceed unhindered.
In
addition, the site was already known, even before 1961, as a prolific producer
of high quality sculpture, profiting from nearby marble quarries. Nearly 60
years of excavations have confirmed the scientific promise of Aphrodisias: the
architecture, the sculpture, the evidence for city development, the finds have
all yielded a vivid picture of ancient life in this city.
I happened to join the
1972 staff by accident. Machteld
Mellink, the distinguished specialist in Anatolian archaeology and professor at
Bryn Mawr College, was interested in the prehistoric remains from Aphrodisias.
They could potentially contribute much to our understanding of the Aegean
region in the Bronze Age, in particular, then poorly known. Prof. Mellink was keen that Marie-Henriette
Carre, a former undergraduate student of hers and participant at her
excavations at Karataş-Semayük, Elmalı, join the prehistoric team. Marie-Henriette was a graduate student in Near
Eastern archaeology at Yale. I was a graduate student in Classical Archaeology
at the University of Pennsylvania and was taking a course with Prof. Mellink. Moreover, Marie-Henriette and I were
dating. So we proposed that we both come
to Aphrodisias for the summer excavation season.
(Kenan Erim. www.aphrodisias.com)
Kenan Erim, who lived
in Princeton, came to Bryn Mawr for a meeting with the three of us. He was very formal, strikingly so for someone
who didn’t seem to be very old (in fact he was only 42), spoke with a British
accent, and addressed his comments entirely to Prof. Mellink. His speech struck us as a bit odd -- “My dear
Machteld” was a favorite phrase, archaic and quaint to a young American ear –
and he was eager to tell her of the injustices done to him. Rivals, such as George Hanfmann, professor at
Harvard and the director of excavations at Sardis (who had begun his project in
1958), had much more success in raising funds, even though Aphrodisias had
yielded far more spectacular finds.
We left the meeting
with conflicting thoughts. Prof. Erim didn’t
appeal as someone we were keen to work with. On the other hand, the site was
enticing. Surely the personality of the director couldn’t spoil the experience,
I thought. Marie-Henriette hesitated. I, who had as yet not worked at a big
excavation project and who had never been to Turkey, was eager to say yes. The
opportunity seemed too good to pass up.
And Prof. Mellink was in favor, too.
So we went ahead with our application and were accepted.
We arrived at the site
in June, 1972, a week before the excavations were to begin. On the way, while
waiting in the old İzmir bus station for the bus to Aphrodisias, we decided to
get married. So we arrived in a state of great joy. Kenan Erim was already
there and we fitted into his routine. At dinner, he sat at the head of a long
table in a semi-outdoor dining area, roofed, the sides protected against
insects with netting. We sat next to him, and we spoke French together. Marie-Henriette
had been raised speaking French, thanks to her father, a professor of French,
and her French mother, also a professor of French. My French, learned in
school, was passable. As for Prof. Erim, he had grown up in Geneva, where his
father worked for the League of Nations. After World War II, when his father
was appointed to the United Nations, he attended New York University; he
obtained his PhD at Princeton. He had never lived in Turkey, in fact, at least
not for extended periods of time. As a result, he felt alienated from Turkey, at
least from the Republic. Indeed, he
could trace his ancestry back through the Ottoman Empire to Byzantine
times. I am not Turkish, he would say; I
am Ottoman. My Turkish was non-existent at the time, so I couldn’t judge, or
even think to ask, to what degree his Turkish was tinged with pre-Republican
(pre-language reform) vocabulary and grammar. But with his British accent, he
hadn’t integrated into American society either, despite having lived there for
many years. Yet he felt that as a Turk he was looked down upon in America. He
didn’t really belong in one place or another, and this was clearly a source of
discomfort.
The excavation house
was located inside a walled compound. An attractive, traditional two-storied
village house was the main residence. A staircase led up to an open veranda on
the upper floor. Prof. Erim had his room to one side. I was housed in one of
the rooms at the rear, as were the other single men and older women. Marie-Henriette,
and all unmarried younger women, were given rooms in a separate building
behind. This annex was locked at night: hanky-panky was to be prevented at all
costs.
Cocktails were served on the veranda at 7:00 pm. Prof.
Erim had a record player. He would play records at cocktail hour, and sometimes
after dinner. He was very fond of certain music, which would correspond, we
would learn, to his moods. Italian movie soundtracks from the 1950s were
favorites (as a graduate student at Princeton, he had taken part in the
department’s excavations at Morgantina, on Sicily): comfort music, indicators
of a good mood. We also heard Zarah Leander, a Swedish singer with a deep voice
much loved by Germans in the Nazi period. Dinner was served at 8:00 pm, which is
late for an archaeological excavation at which work typically begins early in
the morning. The food was very good. But dinner would be served tepid, never
hot, for the cooks had prepared everything much earlier. One outstanding
dessert was a mountain of meringues with chocolate sauce, “the king of Sweden’s
favorite dessert,” we were told. It was
spectacular, it was extravagant . . . among ourselves we staff members called it
“the giant pimple.”
The site was yielding great amounts of high
quality Roman sculpture, which would be kept in the compound. Newly found
sculptures – stone heads of Romans – would be placed on the dining table in
front of Prof. Erim, for his contemplation. They were his trusted friends.
(Photo, dated 1971, found on Instagram: #kenanerim)
In the week that
followed our arrival, the rest of the staff members trickled in. Lütfi Bey was
the government representative. A young man, speaking no English or French, and
with the innate respect for authority that characterizes Turkish society, he
duly deferred to Prof. Erim. Most staff members were graduate students in
archaeology in American universities, like us: John Pollini and his wife,
Phyllis; Phil Stanley; Ron Marchese; Barbara Burrell; Barbara Bohen; Mark
Lesky; Patty Gerstenblith. Several would go on to distinguished careers. A few
specialists arrived, too: Barbara Kadish; Karen Flinn; Fred Lauritsen (a
classical numismatist). Some were newcomers, others had worked at Aphrodisias
in previous summers. All took places at the dining table next to us and on down
the table. But no one presumed to sit next to Prof. Erim, apart from Lütfi Bey.
We, as newcomers, wondered whether or not the seating arrangements were
pre-assigned. We continued to sit next to him, and to speak French – both facts
which, we would later learn, caused suspicion among certain American staff
members. Were we collaborators, telling tales on the others? Such divisions
were encouraged. Prof. Erim would tell us, in French, his negative opinions
about the table manners of others: “So-and-so is eating olives with his
fingers!” We went along, not protesting such remarks, and diligently ate our olives
with our forks, our peaches with knife and fork (my Californian habit was to
hold a peach in my hand and eat it unpeeled), doing our best to conform to his
standards of etiquette.
After a week the
excavations got under way. The work schedule was a traditional one: 7:00 am –
12:00 pm; a lengthy break for lunch and a siesta; then back in the field from
3:00-6:00 pm, six days each week. The first morning opened with a traditional
animal sacrifice for good luck, with a stew cooked and served to all the
workmen. To fend off criticism of maintaining such a custom, Prof. Erim
indicated he wasn’t in favor, but for the workmen it was essential.
Marie-Henriette and I
were assigned to trenches on the slopes of the Acropolis mound. This artificial
hill, made up of the remnants of prehistoric settlements, was cut away on one
side in the first century BC for the installation of a theater, which had been
excavated in the 1960s.
(Air view of central Aphrodisias. Roman theater partially in view, lower right. Our trenches were just to the left, behind the theater seating, lower center).
(Photo: Aphrodisias Excavations: Aphrodisias.classics.ox.ac.uk)
The aim of our explorations was to find evidence for
pre-Roman Aphrodisias. Jacques Bordaz, a professor at Columbia, had initiated
the research into prehistoric Aphrodisias, at the site and in the vicinity. In
1967, exploration of these early settlements was assigned to Barbara Kadish, a
50-ish New Yorker married to an artist, Reuben Kadish. Barbara was a warm,
friendly person, fully committed to this research. The prehistoric (pre-Roman)
investigations consisted of these trenches on the Acropolis hill, but also work
at an outlying site, called Pekmez, where she worked with Karen Flinn. She
spent little time with us, and Prof. Erim himself never came by to comment on
our excavation techniques or our finds (his interests were strictly Roman). We
worked together with Ron Marchese and Patty Gerstenblith, graduate students in
archaeology at NYU and Harvard. A small group of workmen were assigned to us;
they did the manual labor, with picks, shovels, and wheelbarrows.
Bronze Age team, Aphrodisias 1972
Standing, left to right: Karen Flinn, Barbara Kadish, three workmen, Mark Lesky, workman, Charles Gates, workman, Marie-Henriette Carre, Ron Marchese, workman. Seated/crouching, left to right: Patty Gerstenblith, six workmen
I remember being left to my own devices. Although
I dutifully followed the instructions given to me, because I had had very
little experience in field archaeology, I really didn’t know what I was doing:
how to make decisions about how to organize the digging, what to look for, and
how to record our activities. I kept a notebook, but I have not seen it since,
so I have no idea if my records made sense. But my time at Aphrodisias turned
out to be so short, only two weeks in the trenches before the storm broke, I
shouldn’t be too hard on myself. Had I
stayed the entire summer, no doubt a method would have been established and I
would have felt positive about what I had learned.
The storm broke after
our third week, after two weeks of excavating. On Saturday, the weekly day off,
students and senior staff members were expected to leave the dig house and go
on an edifying excursion. On this particular Saturday, a bus was arranged to
take us to visit Miletus and Didyma, major Greco-Roman sites on the Aegean
coast. But it was the day off, and we wanted some respite from archaeology,
too. We stopped for a few hours in Kuşadası, the main coastal resort town in
the area, to do some shopping and just walk around.
When we returned to
Aphrodisias, the bus driver reported the change in plan. Prof. Erim was furious.
At dinner he exploded. We weren’t serious! How dare we not spend all our time
in the educational activity that had been planned? Barbara Kadish responded in
kind. It was our day off; why couldn’t we decide how to spend it? The two were
shouting at each other. Barbara was at least ten years older than Prof. Erim,
and her arguments made sense. Why should
he control us as if we were schoolchildren? Finally Prof. Erim said to Barbara,
“Get out!”
She said, “Do you mean for good, Kenan?”
“Just go to your room,” he said, waving her off.
The rest of us were stunned. But what could we say? The next days were
tense. Prof. Erim was clearly mortified because he had lost control of himself
in public. He had lost face, and Barbara Kadish was responsible. Peace was not
made, though. Prof. Erim said nothing to defuse the dispute. Barbara refused to
appear at meals with him; she had food brought to her room. Moreover, she had a
heart condition which meant a weekly check at a clinic in Nazilli, the nearest
town. That week, the ride to Nazilli was cancelled.
Prof. Erim decided that the Bronze Age team,
Barbara and her team members, were troublemakers. We had to go.
Our work would stop; he would close down our trenches. The people
affected included Marie-Henriette and me, Karen, and Patty. Ron, one of our team, could stay, though. NYU
was counting this summer season as a course for Prof. Erim. Ron was registered
for the course; Prof. Erim could not afford to let this student go.
Prof. Erim never told us directly of his plan. He
disliked confronting people with bad news. He either exploded, as he had at
that Saturday dinner, or he related to others with formal politeness. He told
the foremen on the site that after a certain day, workmen would no longer
report for work in our Acropolis trenches.
We couldn’t leave right away, because our
passports were being processed for residence permits. The atmosphere during that week of waiting
for the passports was very strange, almost surreal. If Patty Gerstenblith dared to speak to Prof.
Erim, he would give her the back of his hand, he declared. Fellow graduate
students, even those working in the Roman period who were not being thrown out,
began to have strange dreams. In one such dream, a stone head, on the dining
table, began to mock Prof. Erim. He took a hammer and smashed it, but the
fragments danced in the air and continued to laugh at him.
During that week, two boys, the sons of a US
consular official in Istanbul, were visiting. The younger boy noted that Prof.
Erim went to a particular shower, at the end of the bank of showers we all
used. “Does Professor Erim have his own
shower?” he asked. Yes, he was told,
with a hot water heater. The rest of us
had sun-heated water. “That man is a
snob,” the boy said. We smiled.
I can’t remember clearly how I spent that last
week. We were no longer sitting next to Prof. Erim at the dining table. We
never exchanged harsh words – but we probably did not speak much at all with
him.
Eventually our passports came. It was time for us to leave. We walked out the gate. From the second floor veranda, gripping the
rail like a captain on his sinking ship, Prof. Erim shouted at Marie-Henriette,
in French, “At least you could have had the courtesy to say good-by, Miss
Carre!”
It’s true ... but why should she have? Why had
not he, the project director, made an effort to discuss, even defuse, the tense
situation he had created? The director
sets the tone on an excavation, not a 22-year-old student.
Marie-Henriette managed to say, “Thank you for
everything!” and off we went. This was the last time we ever spoke with him. He
would die in Ankara in November, 1990, in the residence of the British
ambassador and his wife, only a few months after we had taken up teaching
positions at Bilkent University.
That December, a delegation from New York
University came to Ankara to ensure that the government permit for the
Aphrodisias project would stay with NYU. James McCredie, the director of NYU’s
Institute of Fine Arts, presented, at a cocktail to which we were invited, the
heir apparent, the “veliaht” (crown prince) as the Turkish newspapers labeled
him: Bert Smith, a young specialist in Roman sculpture who had been working at
Aphrodisias, looking nervous as we all eyed him with great curiosity. He would
indeed become the new director of the Aphrodisias excavations, and has
continued as such, with great success, to the present day.
Fortunately, most field seasons are not as difficult
as our month at Aphrodisias. The following summer we would have a completely
opposite experience at Godin Tepe, in western Iran, a Bronze and Iron Age site
investigated by T. Cuyler Young, Jr. (University of Toronto). For three months we excavated in Bronze Age
levels. Prof. Young was outgoing, at ease with himself and others, and a superb
teacher of field methods. At Godin Tepe I learned how to dig – strategy,
execution of a plan, managing the workmen, and recording intentions, processes,
and results in my field notebook – the basis for my future field work in
Turkey, at Gritille and especially at Kinet Höyük. I enjoyed every moment.
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